They Came Like Hollywood by Jared DiMaggio

All of this will happen, more or less. Unfortunately, this is the saddest story I have ever heard. I will do my best to recount the events pre-coming and post-coming, but I had the story, bit by bit, from various survivors, and, as generally happens in such cases, each time it was a different story. But a story has no beginning or end; arbitrarily one chooses that moment of experience from which to look back or from which to look ahead. A story, like time, is not a line but a dimension, like the dimensions of space.

I have never begun a novel with more misgiving.

I have never begun a novel. I still have not.

If I am out of my mind, it's all right with me. Granted: I am an inmate of a what might be called a metaphysical hospital; my keeper is watching me, he never lets me out of his sight; there's a peephole in the door, and my keeper's eye is the shade of brown that can never see through a blue-eyed type like me.

Who I am doesn't matter so much anymore, but call me Ishmael, but in a sense, I am Jacob Horner. I am an invisible man. Pre-coming, I was the shadow of the waxwing slain by the false azure in the windowpane. Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.

I am from earth. I am an American, Chicago born—Chicago, that somber city—and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent. But my history doesn't matter anymore because the past is a foreign country; you do things differently there, on Earth, where you are now.

This is your future history, written in a dimension I can’t even begin to think about how to articulate in any earthly language or equation.

Pre-coming, it was the best of times, it was the worst of times, depending on your respective perspectives, which goes without saying, but it’s too late for that now. It was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the noun of nouns, it was the etcetera of etcetera, etcetera, etcetera, it was the winter of despair.

That day, the winter sun shone, having no alternative, on nothing new. Then: a screaming came across the sky and the sky above the city was the color of television, tuned to a dead channel. It was like so, but wasn’t. The cold passed reluctantly from the earth, and the retiring fogs revealed an army of what you would probably classify as aliens, according to the The History of Earth, stretched out across the sky. It was the day my grandmother exploded. We started dying before the snow, and like the snow, we continued to fall. For some, it was a pleasure to burn. Those of the old belief that taught to be born again first you have to die. For others, it wasn’t. Most were killed, many were taken, eventually.

***

Jared DiMaggio is a graduate student at the University of South Florida.

Crash Test by Greta Wilensky

It’s not until I’m drinking in Vanessa and Alex’s room that I remember what day it is. The alarm clock by Alex’s bed reads 9:49, and the second I glance at it, I know that I fucked up. Eight years ago today, Angie’s brother stole their father’s gun and blew his brains out in their backyard. I was right there when she found out. Eight years ago today, Angie and I walked home from school and found an ambulance pulled up beside her front lawn. We saw the front door hanging open and her brother’s body wrapped neatly in a body bag, a police officer standing over it. We saw blood pooled in the grass, rinsing the lawn in a red that glistened in the afternoon sun. Not that I think about it often. But once I remember, a weight swells in my stomach and my mind goes a thousand different places. 

At the moment of my realization, Vanessa is doing my hair, wrapping long strands of it around her hot pink curling iron. She drinks gin mixed with blue Gatorade. When I realize what today is, a little twitch runs through me and I can feel my scalp tug against the curling iron’s grip.

“You okay?” she goes.

“Fine,” I say back. 

Tonight marks the first full week I’ve spent at college. I’m going out, same as last weekend, with a group of girls from my floor. They’re all from different parts of Massachusetts, but they all dress alike and snap their gum the same exact way. My roommate is like this--a girl named Jessica. She has waist-length blonde hair and a color-coordinated closet. Right now she’s sitting at the other desk in Vanessa and Alex’s room, dusting her eyelids in a shimmery rose-colored powder. Vanessa is shorter than the rest, with a round, generous face and kind eyes. Alex is quiet, like me, and even though she’s wearing a top with criss-crossed fabric across the cleavage and a skintight skirt, I can tell she wishes she were in something else. 

Once Vanessa releases the final strand of my hair from her curler, I step out. In the hallway, I lean against the cinderblock wall and call Angie. Drops of sweat roll down my back, under Jessica’s borrowed top. The carpet feels warm underneath my toes. The phone rings and rings until it finally goes to voicemail. “Serena?” I hear the girls call from behind the door. I hang up without saying anything. 

“Where did you go?” they ask when I come back into the room.

“Oh, nowhere. I was gonna call my mom back, but she didn’t pick up.”

Alex nods, then goes to her dresser drawer and pulls out a bottle of peach Smirnoff.  

“It’s time!” she says, giggling. The other girls cheer in excitement but I only muster a halfhearted smile. My phone burns in my pocket and I can’t unhinge my mind from thoughts of Angie. Angie, weeping at her brother’s funeral. Angie scribbling test answers onto the skin of her thigh in physics class. Angie rolling a joint in the half-dark of her bedroom, our knees touching on the carpet. Angie swearing me to secrecy before showing me all the perfume and underwear she shoplifted from Victoria’s Secret. Angie in church back when our families went every Sunday, knees knocking together in the pews. Angie and I falling asleep on the hill behind my house, watching the stars.

We pass the bottle around until it’s gone. I want my throat to stop burning more than anything, but I take my turn each time and try to mask my wincing. Once the bottle is empty, the room takes on a hazy quality and I start to laugh, for no reason.

 

Once, in middle school, Angie and I memorized all the characters in Greek mythology. We checked out beautifully illustrated books from the library and pretended to be different people. I found cloth-and-wire butterfly wings and we took turns acting out the Flight of Icarus. Tonight, that’s how I feel again, my cheeks shimmering with makeup, my hair perfectly curled: like I’m a character, some sort of god flying far away from everything I’ve known. There have always been girls and drinks and parties but now I’m swallowed in the belly of it all and I don’t know how I got here, I don’t know where I’m going to go. 

We leave Vanessa and Alex’s dorm and head out for the night. I’m wearing a shirt I borrowed from Jessica. It’s cream-colored and made from crushed velvet. When I saw it in a pile of clothes on her bed I picked it up and touched it without thinking. She saw me admiring it and offered to lend it to me. I can’t remember the last time I wore something so beautiful in my life. My hair is curled into soft waves and I’m in wedge heels. When we step outside, I try to hide my shiver.

The party we’re headed to is across campus. We walk there in rows of two. I’m towards the back, following the lead of Jessica. Jessica’s older sister is in a sorority, which officially means she knows more than the rest of us. When we get to the party she leads the way as we wedge through a mass of bodies waiting outside a tall gate. There are frat brothers sitting on top of the fenceposts like watchguards, shouting things out, trying to placate the waiting crowd. Jessica tugs the pant leg of one of the brothers, a pale guy with a squashed-in looking face. “I’m Allison’s sister. Allison Martsen.” He makes a face of deep concentration, then nods slowly. “Okay. Okay. I can let you guys in.”

We duck through the narrow entrance and find ourselves in the backyard of an enormous house. It’s crawling with people, music pouring out from inside. I hold Vanessa’s hand as we snake our way in. Vanessa gave me a water bottle full of vodka and I pull it out from my purse. I take one long sip, and then another. All the other girls surround me on the dance floor. A wave of heat encompasses the whole room. It smells like skin and sweat and beer, the slickness of bodies pressed too close. We dance through countless songs. At the end of each one I go into my purse and take another sip of vodka. After not long, things start seeming softer. I lose Jessica in the crowd. I can only see Alex and Vanessa from the corner of my eye, and then I lose them all. I sway to the music, barely noticing when a guy comes up behind me and wraps his hands around my waist. They’re the hands of a man, not a boy, big-boned and veiny. The person behind me is tall and muscular. I can’t see his face, but we dance with my ass against his crotch and it’s almost like he’s not there. Like I’m just dancing against the collective body heat of the room, and not a real person. But then he slips one of his big man hands under Jessica’s white velvet shirt and gives my boob a squeeze. I cry out instinctively, not that anyone can hear, and I elbow him off of me.

Outside, cool air settles all around me and I breathe, in and out and in again. Beads of sweat run down my forehead. Without looking, I can tell my makeup has started to run. I pull out my phone and try calling Angie again. It’s not quite midnight yet and I know she’s still awake. 

Music still throbs from inside the frat house but I push my phone against my ear until I hear the dialtone start ringing. On the third ring, she picks up.

“Angie?” I go.

“Serena, what’s up?” her voice sounds bubbly, but it’s hard to hear over the background noise on her end. 

“I’m sorry I didn’t text you earlier. Or call.”

“Why are you apologliz--oh. Yeah. Matt.” Her voice goes flat when she says her dead brother’s name. I can feel my stomach filling up with rocks. “It’s okay, Serena. We’re both busy.”

“You’re right. I still feel guilty though. Are you okay?”

“I’m fine Serena. Really. We’re in college now--you don’t have to take care of me.” 

“Sorry,” I go.

“Don’t be sorry. It’s just...I think it’s time we made other friends. There’s more than just each other.”

“You’re right.” I say. “You’re totally right.” Angie is quiet, and I hear laughter leaking into our conversation from her end of the phone. 

“I’ll let you go, Serena--” Angie goes.

“Wait.” I say. “Angie...do you remember the story of the flight of Icarus?”

“The flight of what?” a staticky sound flows out from underneath her voice. The distance between us feels real and tangible, like we’re speaking through tin cans and not cell phones.

“The flight of Icarus. The Greek myth, where he burns off his wings ‘cause he flies too close to the sun.”

“I don’t think I remember.”

“Oh. Well that’s fine. It was like, seventh grade. I didn’t expect you to.”

“Alright. Look--Serena, I have to go. My friends want to leave. We’re going out.”

“Goodbye, Angie. Have fun.”
“Bye Serena. You too.”

I stand with my back to the wall of the frat for I don’t know how long. Tears well in my eyes but don’t fall down my face. I think of Angie; my best friend. I close my eyes and imagine us in seventh grade, trying to tie cherry stems into knots with our tongues. I imagine us fourteen and dressing up in our mothers’ makeup, teaching ourselves how to shave our legs. I imagine Angie the way I always will, the brave one, the leader. Never afraid to take a risk. To test the limit of what she could and couldn’t do.

The back door swings open and a crowd of people rush out. The flow lasts several minutes. People are shouting, frantic to find others in their groups. “Cops!” a guy shouts, over and over. I join the masses, knowing there’s no chance of finding the other girls. I walk across campus, back to my dorm. Once I’m far enough from the frat, the night regains its peacefulness. A full moon glows above me like a lighthouse and guides me the whole way back.

That night, I dream that everybody I love is on an airplane and I’m the pilot. My mom and dad and brother and grandparents are standing in line beside a hole in the side of the plane, where one of the doors has been ripped off. They have parachutes. I know if they jump they will make it back home. Angie stands behind them but with no parachute. Just a black dress and eye makeup, her hair straight and shiny down her back. I’m leaving, I’m leaving she says, her voice teetering on the edge of laughter. Once I get off this plane I’ll be gone.

One by one, my family jumps out of the plane. Five parachutes expand below, stark white against clear blue, and it’s just me and Angie. I don’t want this anymore. I want to see what Matt saw. I want to see what’s on the other side.

I try to speak but my voice doesn’t work. In the dream, my throat swells and my eyes water, but I steer the plane the entire time. I keep my eyes on the sky before me and when Angie jumps, silent as an exit wound, I keep flying. In the dream, it’s all I can do.

When I wake up the next morning, light rushes into my eyes. My head hurts, which is no surprise. In the dorms across the street, someone has strung a clothesline from one window to another. I study how it sways in the wind, white clothing waving like flags against the blue.

 

Greta Wilensky is college freshman at UMass Amherst majoring in English. Greta has been writing for five years and my work has been published in Winter Tangerine Review, Bartleby Snopes, Alexandra Quarterly, Duende, Gone Lawn and a handful of other magazines. Greta was recently nominated for a Pushcart Prize by Dunede Journal.

Geography by Ben Miller

The summer thunderstorm rolled over Manhattan like an invading army. It had been sunny all day, the air thick with smog and heat. Then the high hammerhead clouds rose like tanks on the horizon, the wind picked up, fat drops of rain fell like bullets. I watched from my office window as the clouds calmed into the stillness of a June night, as the air took on a new, dry clarity. As I walked to the bar to meet Hugh, little piles of sticks and fallen leaves littered the street, puddles mirrored the fading sky. Inside, the thumpawhump of Kylie Minogue and a wash of green and red light over the sticky tables and stools. Hugh sat texting as I walked in. I gave a limp-wristed wave, he looked up at me through tortoiseshell glasses and smiled.

“Hi, stranger,” he said, standing to hug me. I'd forgotten the distinctive quality of his voice, like paint on glass — quiet, blurred, tinged with a barely-audible accent. His short tan coat still had a couple drops of water snaking down the treated cotton. A thin mustache sat on his upper lip. His face was round and his head was square; bright pupils glinted out from droopy eyes.

"I need a drink," I said, smoothing down my hair, almost out of breath from his sudden presence, the quick walk. At the bar, leaning in to flirt with the guy pouring my beer, I cocked my head around and watched him text. We'd met at a party, become friends, gone out a few times: to an Almodòvar movie and some bookstores and a piece of performance art in a loft in Queens where a whippet-thin woman rolled on the floor groaning and smoking cigarettes and changing the radio station. Then, we'd drifted apart. Now, he was moving back to Korea. His work visa was expiring. He’d quit his job, and couldn't or wouldn't find another within the scope of his field of study: geography.

I grabbed the beer and went back to the table, perching on the high stool, splaying my legs out in front of me, trying not to pose. "So what's new," I asked. 

"Well," he said, "I've been seeing someone. An art student, lives in Hong Kong. Younger than me.”

“Fantastic! How much younger?" I laughed. 

"Well, pedophilia is the next frontier of social activism." He waited a moment, let the joke land. "No, he's 22. But he looks 16.” 

"What's that? Six years? Seven?" 

"Seven, yeah.” We were the same age.

The song changed to some vintage Britney; absurdly, a pack of bears at the next table argued about whether it was from Blackout or Circus. "It's funny," he said. “Until now I’ve always had crushes on people who are older but not too much — maybe three or four years? This other guy Mike was my biggest crush of the last year. He's 32. Moved from Korea the same time I did, is a photographer like I am." 

"Dating a mirror," I said. "Boyfriend twins."

"Anyway," he said, "it never worked out. Does that make it less gross?"  

"Marginally," I said. "Or grosser, if you want to go the unrequited-love-of-my-life route." 

He smiled. "Harry's helping with that."

"Oh," I said. "The magical boyfriend has a name." I didn’t realize it was catty until I heard it. 

"Yeah," he said. "Let me show you." He felt in his pocket for his phone. As he flipped through pictures I stared into my drink, little Britneys dancing on my ice cubes, reflections from the screen above our table. 

"Here he is," he said, pushing his phone across. In the photo, Hugh sat on a bed looking dolefully out from underneath the brim of a baseball cap. Harry leaned cockeyed into the frame. He was slim, young-looking, had bleached hair.

"Cute," I said, and imagined the scene after the photo. The phone tossed aside, Harry pushing Hugh down onto the bed. 

He took the phone back. "And you said you've been seeing someone too?" 

"Yeah," I said. "This furniture maker, Zachary. It's been really great." I took out my phone and showed him a picture.

"Awwww," Hugh said. “He looks sweet. I feel like furniture makers can't be evil."

"I try not to date evil people," I said. 

“It’s not always possible,” he said, handing me back my phone. "So how'd you two meet?" 

I looked up sheepishly. "On Grindr," I said. 

"Same," he said, and we both laughed. "But it's different in Korea." 

"Oh sure," I said. “Yeah. I guess in Korea it's mostly people looking for deep intellectual connections, a few dozen red roses, and long walks on the beach." 

He winced. ”It's just that most Korean gays are on Jack'd. Grindr is mostly expats. Hooking up with expats in Korea makes me feel more at home.”

"So you're going for long-distance?” I asked.

"We're being realistic. Keeping it open. But we're exclusive on the highest level." Hugh's idiomatic quirks enhanced meaning rather than obscuring it.

“It’s weird,” I said, “that we’ve both somehow found these people who can embrace us with the whole bag of shit on the side." 

"I like to tell myself I don't have the bag of shit even as I spend my life ruffling through it and showing off its contents." 

"The power of denial.” Seeing Hugh again I remembered how still he always sat and envied his calmness. I constantly tap my feet, splay myself across chairs, expand inelegantly to fit available space. Sitting on the bar stool, I crossed and uncrossed my legs, watched as some drag queens in half-makeup carried bulging gym bags behind the bar to the dressing rooms. 

"Cheap thrills," he said, "but fun, isn't it? I have to piss.” He got up, I pulled out my phone and flipped through the few pictures I had of Zachary. There he was in his shop, there he was on the street posing with his truck. I found my favorite photo, one I'd taken surreptitiously when he was nestled into my lap on the couch. He sat in profile, looking into the light from an out-of-frame window, his hair grazing the skin under his ears. He said he was trying to grow it long enough to have a top-knot, just for one day.

Hugh sat down again, tripping a little on the descent. "Can't go ten minutes without looking at lover boy?" The music stopped. A drag queen – 7 feet and 300 pounds in heels and wig –walked regally towards a mic and announced the start of bingo to groans and cheers. I motioned at the door. Hugh nodded, we grabbed our bags and went for the exit. 

It was last light. The wind had picked up, high clouds blew past quickly, not too many people were out. We turned right down Sixth, mourning a departed Mexican restaurant we’d gone to as students where you could drink with over-the-hill drag queens until five in the morning. At a red light, I dashed across and Hugh stayed on the other side. 

"Why'd you wait?" I asked a few seconds later, after the light had changed and he'd joined me.

"I'm saving these little leaps so I can take a big one."

"Like what?” I asked.

“Like getting married or something."

I'd been to three weddings in the past year, there were two invites awaiting RSVP. "What's 'married?'" I asked. "I heard it's something lesbians do involving golden retrievers and imported babies." 

"It's like driving, I think," he said. "You take lessons and then get a permit of some kind." 

Some cabs went streaking by. I looked down at the new World Trade Center. All the lights were on: you could see which floors were already divided into offices and which were still empty.

“I can’t imagine being married," I said. "Maybe ever." 

"I can," said Hugh, staring up at the building too. He had a way of knowing where you were looking, and looking there. "I guess I think it's a useful lie?" 

We found ourselves stopped at a red light on the corner of Canal and 6th next to a little triangular park carved out between intersecting street grids. I gestured at a bench. "Let's sit for a while," I said. His subway entrance was approaching, I wasn’t ready to say goodbye. "I like the wind." 

"So do I," he said, sitting down. "I love this area." He gestured at the vacant buildings, the cars streaming from wide avenues into the Holland Tunnel. 

We were facing a tall tower hotel across the street. About ten floors up, in the last of a horizontal strip of windows, a light went on and the shades opened.

"Oh," said Hugh. "This is interesting." 

It was a man: young, slim, close-cropped brown hair, wearing only pajama bottoms tied at the waist. He yawned, stretched his arms up revealing little tufts of hair underneath, ran his hands over his smooth chest.

"He's in good shape!" said Hugh. 

The man picked up a cell phone and dialed. 

"Whither goest thou, America," I said, "in thy shiny car in the night." 

"You prick," said Hugh, and punched me lightly on the left shoulder. I felt the weight of his fist there, the warmth it left.

The man turned and leaned his back against the window, holding the phone with his left arm and gesturing with his right. Then he walked back into the hidden recesses of the room. 

"Booo," I said. "Come ba-ack." 

The park was spotlit. I looked behind us, out of our pool of light and into the darkness. I realized I'd put my arm across the back of the bench, almost around Hugh's shoulders, without thinking. I didn't pull it back. 

"Is he coming back?" Hugh asked. "Probably not.”

Then the man was there again, running his hands across his waist, still talking on the phone, staring out over us towards the Hudson. 

"We should go up there," Hugh said. "Count the floors, find the room." A couple of women passed by, one clutching at the hem of her skirt in the wind. "I wonder which one of us he'd kill first?” 

I thought about it for a minute. "Well," I said, "Is it before or after we all have sex?" 

"After, after, of course," Hugh said. "He's got to get rid of his shame by killing one of us, because he didn't know he was even a faggot until we came along." 

I laughed. "The conversion team." 

"So who would he kill first?" 

The man stretched again, stomach flat and taut as a snare drum. My belly spilled forward a bit as I sat, so did Hugh's. "I'm not sure," I said. "Depends on who's faster to the door to call for help after he brings out the meat cleaver.”

"He'd kill me first," said Hugh, “I just decided that I'd let him, to let you go." 

"A noble act!" I said, laughing. 

"A hypothetical one," he said. "This dream is the only time I'd be nice." A pause as a plastic bag blew by beneath our feet. "Plus, I'd be ready to die after sex with him, in that hotel room. That's all I need from life." I felt him settle into me, his side pressing into mine and then quickly pulling back.

I looked up at the window. The man had gone and the shade was pulled down. 

"Maybe he saw us," said Hugh. 

"There's lots of reasons we could be here. Just enjoying the night."

"The hell there are," he said. "Poor guy's just trying to finish a phone call.”

We sat there watching windows in the wind for another minute. I realized Hugh was leaving in three weeks, then he'd be in Korea until who knows when. 

"I should go home," I said, and stood up. "I'm cold."

"Yeah," he said. "This is too Rear Window." He stood and stretched in an imitation of the man. I poked his stomach through his coat, he doubled forward and danced back a couple steps.

"Does that make you Grace Kelly, or is that me?" I smiled. 

"Neither," he said. "Neither, you bastard. Don't touch me again." He laughed. "We’re both Jimmy Stewart. Grace Kelly…that's what Harry and – what's his name?" 

"Zachary," I said. "Zach." I hadn't yet decided what to call him. 

"That's what they're for. Left to our own devices, this is where we end up."

Saying goodbye at the top of the stairs to the subway, he turned and came in for a hug. We held on for a long time, when he pulled away he put his hands on my arms and rubbed them quickly. “You're cold," he said. I looked through his glasses into his small brown eyes. He leaned in, smiling, then let go of my arms and pushed me back with a light tap. "This is my stop," he said. “I’m going home.”

A few months later, his forced departure seemed like good luck. There had been a mass shooting at a gay bar, an election, some riots, some violent suppressions of the riots. I kept trying to stay in touch with Hugh, but it was difficult. I’d write, he’d answer weeks later, then I’d forget. One day, waiting for Zachary to get home so we could make dinner, I went to Hugh’s blog and started reading, hoping I’d learn something to ask about in an email. It was all in Korean; I had to Google translate as I read, knowing how much he’d hate having his carefully-chosen words mutilated. One post was about Korean radical feminists hoping men’s dicks would get waxed off with their pubic hair. Another, about what was going on in my country. This was the last thing that I read before the door opened: “The United States for me was savior and conqueror, ESL teacher and fagbasher, luxury product and Marxist seminar. How do you keep the United States straight in your mind? The United States was a gay bar for me, and at the same time it was a gun that killed everyone inside.”  

 

to Keith S. Kim.

 

Ben Miller is a writer and researcher in Berlin, at work on new fiction and a history of queer identity formation between interwar Germany and postwar California. Fiction, essays, and criticism have recently been published in Slate, Jacobin, The Open Bar at Tin House, Pelican Bomb, Lambda Literary, and OutHistory. He tweets @benwritesthings, www.benwritesthings.com/.

Think Twice by Guest User

"As a multimedia artist fueled by his limitless originality, [Elbows' new single] 'Think Twice,' mixes hip-hop, electronic production and jazz instrumentation to make an elevated pop sound that will be satisfactory to your earholes." – Okayplayer Think Twice is the first single from Elbows' upcoming Corduroy EP, due out May 19. http://www.heyelbows.com

From Okayplayer:

"For a few years I was in the passenger seat of this on-again/off-again relationship, never being the one to make the call whether it was on or off. This song was my way of taking the stand that I never could bring myself to take in reality, and say, hey, really make up your mind this time."

 

***

Max Schieble, or Elbows, is a Brooklyn-based psych jazz/hip hop songwriter, vocalist, and producer. Get the pretzels. Now living in New York, he is currently eating between one and thirteen waffles. He's also Potluck's Art Guy.

Windows by Rachele Salvini

In Antignano, the southernmost neighbourhood of Leghorn, lived a young girl called Amalia.

Amalia was only eight years old, but she already understood why her mother didn’t like her to lean over the window on the sea.

The window on the sea. How many stories and poems, more or less beautiful but always stuffed with sighs and murmurs, could you find with a quick research on Google? You know the answer: there are infinite.

But at the time when Amalia loved leaning from that big window with slightly chipped white shutters, Google didn’t exist. Amalia was born at the beginning of the fifties, and I’ve never known her except from seeing her pictures. My grandmother told me only some tiny bits of her story. I always try to ask for more, but she just flinches and changes subject.

That’s why I’m going to tell it my way. My aunt needs to be remembered.

***

I don’t know whether Amalia could be defined exactly as a cute girl. She had a very high forehead, with thin, pitch black eyebrows over beautiful dark eyes. Her nose was small and straight, and her  mouth was slightly crooked in a foxy smirk.

In the morning, she had breakfast with her sister and her mother, who read the newspaper and sipped her tea. Right after finishing her milk, Amalia would slip away in her room. She hoped the crime news would keep her mother’s eyes on the newspaper enough to let her run to the window, open it cautiously and finally look out, over the sea. Then her room, which usually smelled of the old withered flowers that the maid used to bring in every week, would fill with the salty sea smell.

Amalia would try to breathe in the scent, exposing herself to the libeccio that whipped her hair. She felt the salt sizzling on her skin while the sun hit her like waves on the cliffs.

After a while, afraid that her mother would find her, she would close the shutters and finally smell her own skin.

She used to sink her nose in the hollow between the arm and the forearm, and she felt the essence of the sun on her soft epidermis.  

Her mother was a stark woman, with dark hair accurately fashioned into a bun and a pearl necklace that was too tight around her neck. She didn’t like her daughter’s pastime. And, to go back to what I was saying just a few lines ago, Amalia was too smart for her age to really think that her intransigent mother was simply afraid that the girl could lean a little too much. She had already understood that her mother wasn’t bothered by the tragic image of the beloved daughter falling from the fourth floor of Villa Rosetta, the family cottage with light green walls.

The girl, pushing herself out towards Leghorn’s seaside, felt the black velvet dress going up her skinny legs wrapped in white stockings. When she really wanted to expose her pale little face to the sun, she knew she let half-view of her panties, under the rolled-up hem of her dress, and that was really a dishonour her mother couldn’t bear, even if the room was totally empty. And even if someone had been there, anyway, they would have unlikely been interested in a eight-year-old girl’s pants.

But Amalia knew her mother.

Of course, I only heard about her. I listented patiently to all the stories about her. Every Sunday, she would drag Amalia to the church, where the priest would try his best to turn the girl’s crooked smile into a gloomy expression of remorse. No one knew the reasons for that remorse, given her young age, but of course the priest could have explained it better than me.

During the mass, Amalia kept her eyes down. Her mother watched her with an always controlled expression of pride as the girl followed the old priest slowly towards the altar. The black curls would fall on the collar of her white tunic, even though her mother and the maid had tried to fix them accurately with some horrendous metal hair clips, which Amalia hated deeply.

The smell of the white tunic (which was always a bit yellowed on the hems and under the armpits), wasn’t like the sea’s at all. It always made Amalia feel like she had been imprisoned for more than an hour in a cage lined with sweat and mothballs – a sensation that, needless to say, the girl couldn’t stand.

On Sunday evening, when she was back home at lunch, and her mother told her to finish off the roast meat on her plate, Amalia kept on smelling the scent of that awful tunic, the candles’ wax, the cold stone of the church. She never managed to eat the whole lunch, while her sister finished everything and even polished off the plate with a slice of bread.

Amalia, instead, as soon as the mother would retire to her room and switch on the radio, would run and open her beloved window.

***

Amalia’s pictures get more interesting as time passes. They’re small, yellowed, of course black and white. Her hair, though, jumps out of the photographs as musk curls on the dark stone. Her face gets gaunter, the chin sharper, her eyes are blacker and blacker. Her eyebrows arch elegantly under the white forehead as her new beauty emerges slowly, evolving through the pictures year after year, gradually freeing her from her childish expressions.

She kept leaning over the window of her room even after the day her mother had found her and grabbed her beautiful black curls, pulling her back. Amalia realised that her mother’s long fingers could become even more evil enemies than the metal clips she used to arrange her wild hair every Sunday morning. But the sea didn’t lose its appeal, even during her adolescence. She basked in the salty smell of her skin, snuggled in her white sheets on hot summer nights.

As she grew up, she found out that every time she would open a window in a closed place, she felt an almost physical pang of pleasure. She enjoyed the cool and clean air that came in a gust of wind, stroking her face or raising her skirt. So she never stopped leaning over. At school, whenever the teacher decided that her classroom needed to be refreshed and opened the window, a beautiful smile appeared on Amalia’s pale face. And when the girl finally moved to a house in Borgo Pinti, Florence, to study classics, she filled the breaks from her study of Ancient Greek with long reflections at the window.

From there she would smoke a cigarette, watching the Florentines hurrying on the cobblestones of the narrow alley. Of course, it wasn’t like seeing the sea of her beloved Livorno, nor could she breathe in the salty smell and feel it on her skin for hours, but it was fine. The pleasure of the air on her face and shoulders reminded her of running towards the prohibited, when her tiny hands would pop the lock of the shutters, and she would listen carefully to sense her mother’s quick steps in the hallway.

Amalia had started dressing entirely in black. She didn’t wear anything colourful, or, worse, white as the old altar-girl tunic. She said black looked good with her hair, and she had learnt an important lesson from her mother: if she dressed entirely in black, including her underwear, she could have leant over the window as much as she wanted. She wouldn’t have to worry that her clothes would go up her hips and the contrast between her clothes and her underwear would catch other people’s attention.

She always thought about it when leaning over, even if there was no one around.

***

The day everything changed, Amalia was sitting on a cherry-coloured pillow on the wooden floor of her Florentine house. The turquoise curtains were sliding slightly on the white walls. Every gust of the summer breeze made them gather.

Amalia had decided to have a party for her birthday. She was turning twenty-two. Her classmates had been drinking red wine and smoking pot all night, as she had started to do as well since the beginning of her studies at Uni.

No one had felt like going home yet, when Gesila came in.

He was with Walter and Mauro, two of Amalia’s classmates. He was unexpected. She didn’t know him. He was a tall guy, with dark hair, almost as black as hers. He was wearing a camel-coloured shirt, open down to his chest. Amalia didn’t get whether his arrival had provoked the silence or if everyone had kept on talking, laughing and smoking and she hadn’t noticed. She didn’t hear anything for a couple of seconds. She just watched him. His smirk was cutting the air.

As he closed the door behind him, a sudden gust of wind had come from the window, arousing a tremor in the turquoise curtains, which blew dangerously towards the dark candles on the floor.

Without faltering, Gesila headed towards the carpet where everyone was sitting. He didn’t sit down. His inquisitive gaze scrutinized all the women in front of him. When he spotted Amalia, for a second, every girl around her disappeared. His killer eyes had stuck with hers: they stayed like this, motionless yet wild, and she held her breath. She felt his gaze on her, sliding over her skin as the sea foam on the shore. He was undressing her. He was a virtuoso. The girl had a sensation as though the strap of her black dress was falling down off her shoulder, and she turned abruptly to check. It was alright.

It was at that point that Celeste, one of her classmates, got up to greet the three guys. Amalia remained on the pillow and caught another of Gesila’s glances. His eyes had nailed her to the floor.

They stared at each other again for a few seconds.

That night, they slept together.

***

My grandmother told me everything she could about her sister. She had never known exactly what really happened in that room.

But I think I know.

She said Gesila didn’t need a word to take Amalia to bed. If this is true, he must have been very good to have done it without even opening his mouth. Still, it seems like it really went like this. He didn’t say a word, he didn’t ask her name or where she was from. He hadn’t even brought a bottle of wine to make up for having snuck in uninvited.

He held out his hand. I don’t know whether people noticed and the two of them just went out of the room in silence, or if the others kept on laughing and smoking pot, handing glasses of Tuscan wine to each other. I have no idea, it’s a detail I’ve never known of.

This is everything I know for sure, from what I’ve been told over the years. My family don’t like to talk in detail about what happened next, but this is what I have come to believe.

But I can imagine how it went. I can assume Gesila guided her to her room and pushed her against the wall, looking at her with his smirk and his pitch black killer eyes.

Something tells me that Gesila locked the door.

And something else tells me that Amalia didn’t notice it because she was too busy opening the big window of her room, from which she usually watched the passers-by.

Gesila approached her slowly. He grabbed her wrists and pushed her towards the eaves. Amalia felt his Adam’s apple as she brushed her lips against his neck and he tilted his head back, closing his eyes.

My grandmother rarely cries when she talks about her sister. They couldn’t have been more different. She was blonde, always wearing pearls and dressing white as her mother wanted, keeping her straight hair fixed in a bun. She had thin, well-designed lips. And then there was Amalia, her sister, completely black, as one of those women in Giovanni Verga’s novels.

That night, my grandmother was sitting on a pillow, next to the cherry-coloured one that Amalia had left on the floor. She was drinking a glass of wine and just saw her sister and the unknown guy heading together towards her room. .

Gesila was a great kisser. I know he was. He was one of those who grabs your wrists, your neck, your face. They stroke them, holding them tightly. They know what to do. And I am sure Amalia must have felt on top of the world, being with such an attractive and fascinating guy in a room in Florence, in summer, when she was just turning 22. The window was open, and even if she couldn’t smell the salty sea scent that she loved, I like to think that she was happy with the scent of incense and smoked meat coming from the nearby apartments.

If all that hadn’t happened, my great aunt would have probably become one of those emancipated women, like the protagonists of Anais Nin’s stories. She would have been capable of going to her lover’s place (never her husband’s) with a wine bottle in one hand. She would wear pointed boots, a long coat and nothing else under it. She would have had an adventurous life and she would have just partially remembered the times when her mother used to tighten her beautiful black curls in awful buns.

She would have laughed, traveled, loved intensely and spent the end of her life breathing the salty sea smell of her city, sitting on Antignano’s steps, smoking slim and long cigarettes and not giving a damn about getting cancer.

But that night Gesila touched her white, long neck with his nose. Amalia sighed many times, as her trembling fingers slid over his chest. Gesila sank his hands in her pale behind. It was full and soft. She felt his erection against her thigh and spread her legs to embrace it, as their sighs got intense.

Gesila knew what to do. It wasn’t a surprise that he was good, from the moment he had come in and stripped her with his gaze she had no doubt he would be.

She raised her dress up her thighs and hips, as all her clothes did everytime she leant over the window.

Gesila untied her garters, and Amalia was unsurprised at how he could be so natural and swift in his moves. She just let herself go to his kisses, stopping only to look at his black eyes, feeling filled with him even if she hadn’t undressed him yet.

He was the one who did it. He held her nape with his hand and unfastened his belt with the other. His trousers fell on the ground. Amalia didn’t see him pull off his underwear, but she felt him inside her. She let out a deep sigh and he smirked. Amalia didn’t seem to notice – or care. He put his right hand on her lips, pushing inside her as her eyes closed in a flash of rapture.

Then Gesila grabbed her behind with both his hands and lifted her. Amalia couldn’t help moaning. He was strong. With his trousers around his ankles, he slowly approached the window. Hot and sticky air was coming in. Amalia didn’t feel any wind on her face.

Gesila put her delicately on the eaves, then forced her legs wider. Amalia lost her balance for a second, but he held her steadily. He was getting excited and pushing her to the brink, floors over the heads of people walking on the street. Amalia didn’t hear the voices nor care that someone could look from the window of the facing building and see her naked back. Gesila was kissing her neck, nailing her hands to the parapet.

If she had fallen, she would have gone right to that hell her mother had long talked about during her adolescence, when Amalia had started questioning her habit to drag her to mass every Sunday. It was the inferno where all those who went to bed with a stranger at a party were going to. An hell where Gesila was pushing her towards, moaning and digging his nails into her flesh until it hurt.

Gesila sighed hoarsely in her ears. The pale, wide forehead of the girl was shining with sweat, and the heat of Florentine August was burning her temples. She felt the humidity sticking to her skin like a web, but she liked it. Under her there was only the infernal nothing.  

A delicate gust of wind hit the black curls on her back, whipping round onto her full cheeks. Gesila felt a flash of bliss and suddenly wasn’t holding her.

I don’t want to imagine this scene. I can write non-stop about my great aunt having sex with a stranger, but I can’t go on telling you about her falling from the fourth floor, as her mother had predicted long before.

In my imagination, she’s not a eight-year-old girl that leans over a window with the white and chipped shutters of Villa Rosetta. There are no light green walls that smell of sea. The Amalia in the window that I like to imagine is a woman with long, black hair and alluring eyes, with fishnets and untied garters, pushing herself out over the inferno.

I like to imagine her as ironical, almost happy with falling from one of the places she liked most, one of her guilty pleasures, in that mythical, unique way.

But she probably spent those last seconds with an expression of pure terror on her face, with tears in her eyes, as if she knew she shouldn’t have died, not that early, not like that.  

Under her, Florence was burning.

***

Rachele Salvini comes from Livorno, Italy, but she has studied in Florence, Oslo, New York, and London. She is a MA graduate in Creative Writing and writes both in English and Italian. Her stories in English have been published on paper on The Machinery and online on The Fem Lit Mag, Cultured Vultures, Five2One, The Wells Street Journal, and Slasher Monster Mag. She is moving to Oklahoma to pursue a PhD in English and Creative Writing in August. 


 

10 Years, 10 Cities by Joseph Lyttleton

Taken in various locations across Spain.

The creator of 10 Cities/10 Years, Joseph Lyttleton, is a proponent of slow travel who aims to reflect varied perspectives in his writing and photography. He currently lives in Brooklyn but will be leaving soon. His travel writing and photography can be seen at 10cities10years.com. His incoherent thoughts can be read @10cities10years

waves by Sarah Dauer

when you are surrounded by strong women and you are lonely, remember that you are one too. one day, when anabella corran in the 5th grade told you that you were nothing, you marched home from the bus stop dry-mouthed and stomping, beats on the asphalt carried up through your kneecaps and tickling your spine. you said, “i will not be pushed over any longer”. and then later, in the postscript of the postcard you would mail your sister (even though your address was the same), you wrote “one day i will build a great sandcastle with grains wedged into my fingernails, and i will spend the whole day picking them out and laughing”. you have not bought your own dorm set of tarot cards yet, but the ones at home are water-damaged and honest, which is more than you can say of any boy you have met here. and the loneliness comes in waves and reminds you of the time your mother used to chase you around the house, and the hole you cut in your window screen “in case there’s a fire”, and the coffee shop back home with dragonflies dangling from the ceiling. please remember that you are worth more than the straight girls say you’re worth. you are the discs like dipping hills dripping down your spine, and the warm blanket you have wrapped yourself in straight out of the dryer.

 

Sarah Dauer is a 19-year-old queer Jewish poet from New Jersey going to school in Western Mass. Her work has also been featured in Vagabond City and Yellow Chair Review. For bagel related content follow her on twitter @lameearthpers0n

Day Five: Capricorn Season by Jo Barchi

Laying in your bed
Phil collins loudly playing
This purple light you have turned on
To make it feel calmer
Does the opposite
You pass around the smallest bowl known to man
The bed isn’t really all that comfortable,
Or more accurately, it’s unmemorable.
She’s here, which is inexplicable.
She seems to be a friend of yours
It isn’t snowing but it just did
It’s midnight
You’re recording this thing,
She is contributing nothing.
Your bedroom is really warm
And you have a bidet,
Two new pieces of information

Change the color of the lights with a remote
Purple switches to a light green
You click away, putting on big headphones,
A professional
Seeing like you this is so new
Working so hard
Laughing in your
Space
Adjusting your light blue jeans
With your cock
Just slightly visible

Now she’s complaining
About people who use the word
Bitch
Who is going to tell her
About all the people dying in the world
Who is going to tell her
That her boyfriend would be annoyed that she
Is in his bedroom with us
Who is going to tell her
That i’m here to make you my boyfriend

You say you’re drunk after just one beer
How embarrassing
You have this whole set up
Foam padding
A professional mic
Software
Keyboards
You seem to know what you’re doing
At least, where music is concerned
Your taste in cis poets seems awful
Do you like that blonde poet just because
You want to fuck her?
If so
I’m exhausted
And I really should be getting home.
Have fun with her
And her overalls

Happy belated birthday
I’ll drunk text you soon.

Jo Barchi is a writer from Rhode Island. They currently live in Chicago where they work in an ice cream shop. They are an editor at Ghost City Press. Their work has appeared in Shabby Dollhouse, and elsewhere.

Day Four: Sagittarius Season by Jo Barchi

I’m on coke and I can’t stop
Masturbating
And by masturbating I mean not
Texting you back

And by not texting you back I mean
Not being texted back but really I am horny
I almost called you on my way home
But that wouldn’t do anything
I want it to I don’t want to scare you
I just want you to come back

Brown eyes
Dark hair
East coast
Bad taste in
Good kisser
Almost available
Nearly emotionally
Perfectly physically

Holding me in the kitchen
Making pasta
Watching me make pasta
Offering to help, standing to the side
Sitting on the floor
Before we got a kitchen table
the music
I put on
You love
Kissing to swedish post punk

Closing the door
For the chance
To kiss more
It was so cold
That week we
Spent together

Going to the art institute
To stare and laugh so much
I don’t feel bad about this
How you ghosted me
But I would like to apologize
For not eating for 11 hours
The course of
Our second date

 

Jo Barchi is a writer from Rhode Island. They currently live in Chicago where they work in an ice cream shop. They are an editor at Ghost City Press. Their work has appeared in Shabby Dollhouse, and elsewhere.

Day Three: Libra Season by Jo Barchi

First you fuck me against a door and then it’s in a bar bathroom and i’m drunk and I fall on the sidewalk and i’m laughing and you’re so angry with me. You shove a sprig of lavender up my pussy and take me from behind in a BP bathroom on Ashland. One fuck after another. You are tireless, ever since you found out you can make me cum twice in 10 minutes, once will never be enough. Your cum mixes with the lavender, it’s a spell or whatever. You fuck me in the dressing room of a nameless clothing store and i don’t cry afterwards or buy anything. You finger me in the back of an uberpool for five minutes but we are both too drunk and tired so you stop. I massage your back in the bath when you're on ecstasy and I think it might turn into fucking, but it never does. This is a dream. I haven’t let you fuck me yet. I’ll probably cry after the first time, and every other time after.

 

Jo Barchi is a writer from Rhode Island. They currently live in Chicago where they work in an ice cream shop. They are an editor at Ghost City Press. Their work has appeared in Shabby Dollhouse, and elsewhere.

Day Two: Virgo Season by Jo Barchi

Making you cum is a dream, it’s all I imagine, well, that and what it would be like to have you text me back. Is it still a fantasy if it’s simple, or am I too manic now to have fantasies? Instead of asking you any of this, i jerk off thinking about the time you called me on the phone outside some party and told me you were thinking about me.

What did it mean when you texted me at 11:10 PM on April 14th and said “Sometimes you just need to get ridden hard, you know dawgie.” Do you even remember that, or have you blocked it out, how I used to block it out. I would fuck you in your glass closet, if you would just ask.

I really shouldn’t keep convincing myself i’m in love with you, or even keep texting you, but I just moved here. I spend so much time laying shirtless on my cousin’s green leather couch, letting myself sweat until i’m stuck to the cushions. I don’t get up. I don’t start to touch myself. I just think about you loving me back, biting my neck.

Cleaning off my stomach, shutting off my phone, closing my laptop, trying to figure out what I can get done before I need to fall asleep, pretending you didn’t leave me on read for four days. Making endless to do lists. Finding a job. Finding a place to live. Cumming, twice a day, like clockwork. Tick tick tick tick tick tick, do you love me yet?

 

Jo Barchi is a writer from Rhode Island. They currently live in Chicago where they work in an ice cream shop. They are an editor at Ghost City Press. Their work has appeared in Shabby Dollhouse, and elsewhere.

Day One: Cancer Season by Jo Barchi

Obviously crying
Deciding to move halfway across the country
Since when does running away not work
Working midnight to eight am
Feet bloodied
No plans but thai food,
Driving up and down the same streets over and over and over and over
Never finding parking
I’m never driving
I don’t even know how
Sorry i missed your birthday party
I was trying to figure out
Where to move and i was so scared
Walking down Englewood, crossing at Prospect, continue down Englewood, turning right onto
School, continuing down School, taking a left down the path, walking down the path
The right song playing, the blackstone river, the sun coming up.
Post fourth of july facetime when he talks to me about how he just threw up so much
Waiting
Finally telling him about chicago
He doesn’t mention the other he
We are all fine
Therapist’s permission
Plane ticket
Cousins continue to support and love
Cashing in bonds
Saying goodbye to therapist
Getting a tattoo with mom
Running away from every problem
Solving all of them

 

Jo Barchi is a writer from Rhode Island. They currently live in Chicago where they work in an ice cream shop. They are an editor at Ghost City Press. Their work has appeared in Shabby Dollhouse, and elsewhere.

Brooklyn Days by Steve Slavin

 

       You may have heard other people say this, but I really did grow up in the best place during the best time. We lived in a floor-through apartment in a four-story brownstone on the best block in Brooklyn.

         After school, the girls would be jumping rope or playing Potsy, or maybe hit the penny, using a rubber ball called a “Spaldeen.” The boys played punch ball, stickball, and sometimes stoop ball. And all the kids would play hide-and-go-seek together.

         There were always adults outside -- usually sitting on kitchen chairs -- gossiping, playing dominos, and keeping an eye out to make sure everyone was OK. In fact, many years later, Spike Lee made a movie on our block. Do the Right Thing came close to capturing the street life that made it such a great place to grow up.

          By the time I was a student at Girls High, it was clear that I was destined to do great things. But occasionally, I would have the same strange dream. As I stood before the Pearly Gates, Saint Peter had a very quizzical expression.

          “That’s it? Double Dutch champion of the sixth grade?”

          Was this some kind of warning? It didn’t make any sense. I had very good grades, I would go to Brooklyn College, and my future was unlimited. But when I tried to convey this information to Saint Peter, he would fade out, and seconds later my alarm clock would start beeping.

           My dad and mom both grew up in the neighborhood. He played for the City Champion Boys High baseball team, and was considered one of the best hitting outfielders in the entire city.

           And my mom? Well, she was so pretty that no other girl wanted to run against her for the title of “Miss Girls High.”

           But there was a war going on. Dad was drafted a week after he graduated, and he spent the next two years with a “colored regiment” in the Pacific. He returned home with a chest full of medals.

           During the last two years of the war, Mom had a job at the Navy Yard. A whiz with numbers, she was hired right out of high school as a bookkeeper – the only colored person to hold that relatively high-paying position.

            Dad was demobilized during the middle of a pretty serious recession. He was eligible for membership in the “twenty-six twenty club” – twenty-six weeks of collecting twenty dollars in unemployment insurance benefits. But he decided to follow his dream: to play in the Negro Leagues.

           Although a little rusty, he was confident that he could still hit. He managed to get a tryout and was hired on the spot. His dream had come true!

           A historical footnote may be in order. Because Major League Baseball was, like most other important institutions in post-war America, for whites only, the only opportunity for Negro players was the Negro Leagues. Of course, that would all soon change, when the Brooklyn Dodgers signed Jackie Robinson to a contract, and he opened the 1947 season in the starting lineup.

          Dad actually knew Jackie: their paths crossed while they were playing for rival teams in the Negro Leagues. I remember Jackie and his wife – Rachel -- having dinner at our house. In fact, I still have a photo of Jackie and Rachel, Mom and Dad, and me with my younger brother Dan, standing in front of our building.

          My mom and dad had met a couple of years after the war. She had her own bookkeeping business, and even had another young woman working for her.

          And Dad? After a couple of years in the Negro Leagues, like all the other players, he saw the writing on the wall. Once Jackie broke through what was known as “the color line,” the Dodgers and a few other Major League teams began signing more Negro ballplayers – quickly depleting the Negro Leagues of its stars.

         Dad knew he would never make the cut. He sometimes remarked that “Jackie Robinson is a friend of mine, but I’m no Jackie Robinson.”

         So he took the post office exam, aced it, and became a mailman. He made a decent living, and got to spend most of his time outdoors.

         When Dan and I were still quite young, we used to ask our parents if they fell in love when they met.

         “No”, they both answered, “It wasn’t love at first sight.” They were in love with each other long before they ever met.

         Falling in love was a very important matter to teenagers. By the time I started Girls High, I was hanging out with John, a boy who lived just a few blocks away. He, of course, went to Boys High. If my claim to fame was my prowess at Double Dutch, then his was being the best stickball player in Bed-Stuy – a title that was actually claimed by countless other boys.  

           My parents were very fond of John, and he often ate dinner with the family. John idolized my dad, and truly loved my mom. She was always pushing this dish and that dish on him, and my dad would observe, “Honey, if you keep feeding John all that food, he’ll be too fat to marry Della!”

           No matter how many times he would say that, it always got a laugh. But marriage or no marriage, John was indeed already part of the family.        

          Even after our friendship evolved into something much more serious, John loved sitting in the living room with my dad, talking about the Dodgers, who had deserted Brooklyn years before, and, of course, the old Negro Leagues. My dad was a natural born storyteller, and John would one day write about some of the things my dad told him.            

            John could sit with my dad for hours talking baseball. I can still remember a couple of particularly tall tales they would tell and retell.

            One was about the legendary Satchel Paige, who was considered the greatest pitcher who ever played in the Negro Leagues. It fact, it is still argued that, had he been allowed to play in the Major Leagues during his prime, he might have been acclaimed the greatest pitcher in the history of baseball.

            So how great was Satchel Paige? Well, no one had ever thrown a baseball as fast as he did. Decades before they began using radar guns, Paige’s fastballs were barely a blur to the naked eye.

            One day, Paige and his catcher decided to have a little fun. Paige wound up and threw perhaps the fastest pitch he had ever thrown. The catcher positioned himself to catch a ball that was thrown across the middle of the plate.

           Less than a second after Paige released the ball, the batter and the umpire heard it thud into the catcher’s mitt. Later, the batter would swear the pitch was so fast, he never saw the ball. As the catcher tossed the ball back to Paige, the umpire raised his right hand and yelled, “Steeeeerike!”

           Had the umpire even seen the ball? The answer is “no.” That’s because Paige hadn’t actually thrown it. He just went through his pitching motion. The catcher pretended to catch the ball by pounding his fist into his mitt.

           The umpire had not noticed the ball that the catcher had hidden in his hand. That’s the ball he tossed “back” to Paige.  

            So, was this story actually true? Only Paige and his catcher would ever know for sure.

            

          Dad and John had another story, which, for some reason I liked as much as they did. It was about another player in the Negro Leagues -- who was an extremely fast runner. How fast was he? He was so fast that when he got up out of bed to turn out the light, he was back in bed before the room got dark.

          John and my father often talked about the Dodgers, who had moved to Los Angeles when we were just seven or eight years old. While I can barely remember them, I do remember that awful day they tore down Ebbets Field.

          I loved watching John and Dad having such a good time, but some of my friends would tease me about it. They wondered if John was using dating me as a pretext for hanging out with my dad. But trust me: John definitely loved me in ways that he could not love my dad.

 

By the time we started Brooklyn College, John and I began to talk about someday getting married. We were now “going steady.” Just in case you’re not familiar with this term – which was quite popular in the 1950s and 1960s -- it meant that you were in an exclusive relationship. It also meant that you had a date every Friday and Saturday night.

 

           Another question is whether this relationship came with what are today termed, “benefits.” In some cases, yes; in some cases, no.

           And in ours? Sorry, but a lady never tells.

           In the middle of our sophomore year, I sensed that something was wrong. Then, one of my friends said she saw John hanging out with another girl.

         At first, I ignored this. Then, another friend came to me a similar story, but in more vivid detail. So this time I decided to have a serious talk with John.

         He was very up front. Yes, he had been “fooling around” a little bit. Then he placed his hands on my shoulders, looked me right in the eye, and declared, “Della Johnson, I will always love you!”

        And yet, before the words were out of his mouth, I knew it was over between us. I believed what he said about loving me. But there was something else that bothered me. Something about trust.

         John was loving, and he was truthful. But going steady did mean something. I knew that there would always be another girl he would find to “fool around” with. His hands were still on my shoulders. I kissed him lightly on the lips, and left the room.

        Maybe we never should have gotten this involved in the first place. And maybe now that this phase of our relationship was over, we could remain friends. But that wasn’t to be. A few weeks later, John transferred to Howard University. He wanted to be in Washington, and he was going to become a journalist.

         Did I ever predict that my future was unlimited? Well OK, maybe I was trying to look good in front of Saint Peter. And besides, considering that I was a Negro woman coming of age in the late 1960s, there weren’t a heck of lot of great career choices out there.

         My mom had really made a go of her bookkeeping business, and now had three women working for her full-time. When the parlor floor apartment just downstairs from us became available, she decided to rent it. Before that, she’d been renting a small storefront on Nostrand Avenue. Now, she would have two locations.

          I had inherited her facility with numbers, and was majoring in accounting. I was helping out more and more, and worked for her full time every summer. I liked the work, and got along great with the clients. They were mainly small business people who couldn’t afford to hire a full-time bookkeeper.

          So when we talked it over, it made a lot of sense to work for her full-time after I graduated. By then, I was involved with the man who would become my husband. Roy was, as we used to say back in those days, “very devoted.” But even though Roy was a rabid baseball fan, he did not spend hours discussing this subject with my dad.

        They say that time flies when you’re having fun. My husband and I have just celebrated our twentieth wedding anniversary. Our son, Martin, will be starting high school in the fall, and his big sister, Lorraine, is a freshman at Princeton. Everyone says she looks just like me, but I sure as heck don’t look eighteen anymore!

          Roy and I still live in Bed-Stuy, just a few blocks from where I grew up. Even though we’re both from the neighborhood, when we bought a fixer-upper brownstone, some folks looked upon us as gentrifiers. Our parents still get quite a laugh out of that. “There goes the neighborhood!” became a family punch line.

          Over the years, John and I completely lost touch, although for a while he and my dad talked on the phone. John did indeed become a journalist, and a few years ago he got a regular column in the Washington Post. Dad told me that maybe once or twice a year, he wrote something about the old Negro Leagues.

          From time to time I wondered if he ever married, but as far as I knew, he never did. I smiled to think that my old boyfriend might still be “fooling around.”

          When we were having Sunday dinner one spring evening, Dad handed me the book review section of The New York Times. A memoir, Brooklyn Days, was the lead review. I took it home with me and read it over and over. There was confirmation that we had indeed grown up in the best place during the best time.

           Two weeks later, while on his book promotion tour, John came to Princeton to give a talk. Afterwards, Lorraine joined a long line of students who hoped to meet him. Finally, it was her turn.

          She handed him an envelope.

            While tearing it open, he kept glancing up at Lorraine. Then he asked, “Who are you?... You look so familiar!”

           “No, we’ve never met. But my mom wanted you to have that.”

           John studied the photo he had been holding. After just seconds, Lorraine could see him struggling to hold back his tears. He wiped his eyes with the back of his hand.   

           It was an old black and white photo. There were two people looking directly at the camera – a tall man with his arm around a teenage boy. They were standing in front of an apartment house. There was a sign: “Ebbets Field Apartments.”

            John burst into tears. Lorraine handed him some tissues. She knew that John had recognized himself and her grandpa.

           Then John looked directly at Lorraine and said, “My God! You could have been my daughter!”

 

A recovering economics professor, Steve Slavin earns a living writing math and economics books.

 

Everybody's Darlin' by Bud Smith

I became a minor celebrity around town after the police threw me through the plate glass window of the porno shop.

Traffic was stopped. Everyone saw.

There was bursting glass. And there was me soaring headfirst onto the sidewalk.

When I staggered to my feet, those fucking pigs were still standing in the store, looking down at me. I was finally out in the sunshine though and look at them up there in the shadows.

I had a bag of heroin in my pocket; but I had committed no crime, so I yelled, “Well what now?”

“Get going,” one of the cops said. He kicked more glass at me.

The other cop shook his head, zipped his fly.

It was a complete surprise when I wasn’t arrested. I guess all my leaky crimson and the embarrassment was enough.

It usually goes like this:

Live Your Life + Intersect With Other Lives = Wake Up In Jail.

But this one time, I was walking on. Kicking my sneakers in front of me through the gravel headed towards whatever else the sun and moon and stars had going on.  


A mustard-colored convertible pulled out of the gridlock. And a girl was yelling, “Dude! I just saw the whole thing!”

“Did you now?”

She unlatched the door.

“Get in.”

“I’m a fountain of blood, you don’t want that in your car.”

She motioned again. I climbed in and glass fell out of my hair and my shirt and my face.

“This isn’t my car, this is my stepmother’s car. Bleed all you want in my stepmother’s car.”


We drove behind the porno shop. A narrow path. Branches slapping the windshield making me flinch, but she didn’t flinch. Some lucky people fear nothing.

But in the trees, all sap covered and weather-faded, I saw a blow up doll someone had resurrected from the dumpster, and hung there in the dead branches, lying horizontal flying like Superman or Superwoman. Transexual. I pointed up, but the girl didn’t lose a beat.

“I see that every day,” she said, and just kept cruising. “Hey why’d they do that? Why’d they throw you through the window?”

“I walked in the backroom and caught those cops masterbating on a guy they’d handcuffed. Having some kind of a race.”

“That’s what our tax dollars are for?”

“Some of them, anyway.” I wiped my bloody brow, quivering. Adrenaline gone and me suddenly overtaken by weakness. “I was just looking for a quiet place to get high.”

The girl nodded. “10-4.”

We hit a whoopdee, the car flew.

“This is fun,” she said. “I feel alive.”

“Oh, what’s that like?”

The car crashed down. Each of my inner organs became a pinball of meat bouncing against other pinballs of meat. I was at my limit and bent over, so my forehead pressed against the dash.

“Shit, please pull over,” I gasped.

“Sure.”

She slammed the brakes. Dust engulfed us, catching back up to us.

“I’m in massive pain, it’d help if I could inject some of the heroin I have in my pocket.”

She spun side saddle on the bench seat and faced me like I was the main feature in a movie house. People can romanticize anything. “I’ve never seen a real life junky before,” she said.

“We’re a dying breed.”

She was all smiles. Beanpole skinny. Giant glasses. Thin hair. So unsexy, and at the same time just the sexiest thing.

“Need my belt?”

She took her belt off, handed it to me. Butterflies all over the belt. I ran my fingers across one’s wings. But I didn’t need her belt and gave it back.

I took my gear from my fanny pack. Needle and tourniquet. Then I began the real work with lighter and cotton ball. She had out a note pad and she jotted notes with a pen with the logo of her university.

“I might do my thesis on this.”

“Cool.”

“I’m a Drug Studies Major,” she said.

“Professor’ll love it. A Plus Plus Plus.”

I slid the needle in, pushed the plunger.


Then we were in the golden hour. We were track and field stars. She was the Statue of Liberty sandblasted and shined up and shrunk down to the size of an ordinary Miss America. My blood that was still pouring out of me wasn’t blood anymore, it was honey and Miss America was a bee keeper and I was making her money. She’d collect it and sell it to somebody.

“Tell me more about yourself …”

I sighed, I said, “Here’s some free honey for you. In a dream I had one time, I used to own that porno shop.”

“Oh, what’s it like selling sexual happiness in a dream state?”

“Two truths about dildos I’ll say to you. Miserable people don’t own a single dildo …” I blinked. I blinked again. Everything was glorious one second and then the next second I was asleep.

 


I woke up on a miniature couch, a folk band hellishly playing in the corner. A tall woman playing an electric harp. A short man fingering a wash tub bass. Someone unseen, yodeling.

When I die, if it is today, if it is tomorrow, will someone please write At Least He Hated Folk Music on my tombstone.

Also let it be noted, I didn’t like folks.

The room was packed with folks, and the room kept closing in, but it wasn’t my fault. It was a college dormitory, not much larger than a jail cell. I panicked like I was covered in fire ants. I leapt up on the couch from a prone position to a standing one so my skull cracked the ceiling and I almost knocked me back out.

Below me there were what seemed like hundreds of slimy-faced students in grandma underwear, pimples and creative facial hair, and shaking plastic cups so wine and beer sloshed everywhere and all over their own sweaty bodies. They were beyond thrilled that I was awake and I’m not used to that.

The band stopped. The students cheered.

The girl from earlier was topless and holding a microphone.

“Everyone, this is my friend! Meet my extraordinary friend!” The microphone squealed through a tiny amplifier as she told the party I was the most interesting person they’d ever meet.  

“… Like a character from a JT Slazenger short story.”

I said, “Who the hell is JT Slazenger?”

“… Launched through a brick wall by a riot squad.”

“Not true.”

“… Filled his entire body with cyanide in my step-brother’s car.”

“Also not true.”

“… After that he shit himself but it’s alright.”

I reached down my pants and my underwear was gone, so maybe that one had happened.

I jumped down from the couch. Students latched on, I couldn’t pry them off. My elbows and knees did nothing.

The girl shouted, “Don’t get mad! You’re the guest of honor!”

Vomit bubbled up my throat.

They all moved then.

I vomited my way out of the room, vomited my way into the hallway, ruining all those academic rugs all along the way.  


Now I was wandering the maze of the quad, no idea how to exit. I stumbled past a room of kids, with their door open, drinking beer, watching a kung fu film.

“How do I get out?”

“Yo,” one dude said, standing up and shutting the door in my face. “You just get out!” he yelled through the closed door.

That’s one way.

Next stop on my journey, I discovered a silver water fountain and washed my mouth out.

A boy saw me. He was sitting crisscross applesauce, possibly meditating under a window with utter blackness leaking through the window and into the fluorescent building of higher learning.

“You okay?” the boy said.

“I’m fine,” I said, touching my broken face. “Cops beat the shit out of me.”

“Why?”

“Caught them being cops. They like to be cops in secret.”

“They beat you without due process?”

“Um, nah, I don’t think so.”

“That’s illegal,” he said. “I should know. I’m studying law.”

“Righteous,” I said, and my guts stared to pulse again.

But I had enough strength and sense to hold my hand out and let him write his phone number on the back of my hand.

“For next time,” he said.

She appeared again, running up behind me in the hallway, shirt on but still in underwear.

“Don’t leave,” she said.

“Not in the mood for a party,” I said.

“Let’s go somewhere quiet …”

“Don’t wanna talk. Just wanna be smothered in bliss for fifteen minutes, then I want to be unconscious.”

“Okay,” she said.

“Okay.”

So odd this nature from which we are sprung.

And the negations we have to make with this natural world in order to keep living here in it though our cells may be protesting most every minute of it.

We left the college, rejoining the freeze and thaw world. Her step mother or father’s or brother’s car was parked directly beneath a full moon, shining on it like a beacon from the natural world. She had money. I said I’d push my own needle in, but I’d let her push the plunger. We zigzaggged on.

The girl still wasn’t wearing pants.

Bud Smith works heavy construction. His book Dust Bunny City is out now rom Disorder Press. This year, CCM will release a memoir called Work Safe Or Die Trying about the intersection of creativity and working for a living. www.budsmithwrites.com and @bud_smith.

The Pit by Sam Hacking

She’d dug the hole all summer, hacking into brittle cracked earth.  Tom had offered to help, but she had dismissed him.  This was her hole, her place to go.  Every day she had risen early, while the soil was cool and the ground rustled with the vibration of rising insects, and every day she had dug, trying to make a new mark on this place.  It had been their retreat, a space of isolation and hopeful rebirth.  The false heat and skin flaked dust of London had driven her away, seeking silence and fertility in the earth.  Her theatre weary legs had grown short and then stopped completely, unable to carry her dreams, instead becoming heavy in step, with endless grimy pavements and cab rides filled with vomit.

Tom had run after her.  He had caught her falling figure and built them a hut, on the red soils of Southern Portugal.  He built it around her prostrate body, which seemed to rattle and sigh in relief with every plank of wood nailed over her.  It became a wooden womb, a place to shelter and a home.  He had flitted about, bower bird and chirp, tucking here, nesting there, with brawn and unyielding desire to build them both a new life.

After days on the floor, watching him place furniture here and hang a picture there, she rose on brittle bone and staggered to the door, to the new light and landscape. Blushing cheek of field, peppered with golden stubble and lynched by olive trees brought fire to her swollen feet.  She stood, planting skinny fingers on hips and drank it in.  Her souls loosened and feet burst a tearful dam, seeping into a true heated dust, baked by sun and empty tread of people.

They spent a few weeks tending to the hut, building an outhouse and porch with swinging hammock.  They moved silently and peacefully around each other, an estranged lovers waltz, not daring to touch skin or sully the air with words.  The magic rose with each rising sun and span a new found warmth into barren stomach and gravid heart.  

Then one morning, she rose with single thought and needling skin.  Her feet lifted and fell before her, carrying her intentions to a patch of land beside the hut, and here, she fell to her knees and dug fingers, like knives at the dirt.  The hard surface only allowed her to rake through a few centimetres at a time, gathering earth skin under nails, which became the clogged dead mittens of a puppet.  She wanted to create a stage in the soil, a hole to jump into, to run, to dance and to hide.  

When Tom came out to find her, she got up and went to the outhouse.  He lay down and watched her figure grow small against the sky before it suddenly reappeared towering over him, shovel in hands.  In her eyes he saw the story, and he rolled lazily out of the way. He saw her raise the blade above her head, eyes fixed, and watched it sear down through the air, to make a cut, a wound, a surrender in the earth to bury her body in.

At the end of the summer she laid the shovel aside, and they stood side by side at the edge of the hole, a 10 foot by 3 foot crude circle.  She turned to him and smiled, as a flock of blue birds lifted off a tree behind her, and she took his hand and pulled him with swinging hip into their hut.  

That night, sleep was absolute.  They did not hear the thunder, or the sudden rain storm that pummeled the tin roof of their hut.  They did not see the hammock grow heavy, and bear itself down till its fixtures snapped.  They did not see the pit filling with water, a cup half empty, then half full, then full to breaching.  They did not see or hear or smell the wet, which slashed and cleaved for hours.

When she woke, to a hammering in her head, she ran outside to the pit and stood, arms clinging to her breast as if to steady a great toppling ship.  The pit was black and smelt of rotting roots.  A few leaves skated slowly on top and a drowned bee, which would never feel the flight of wing again, lay its soggy stripes against the darkness of that sad pool.  She had yearned for dryness and red dust here, but now the dankness had come again, dragging its heavy mould to smudge at her earth and urge.  It was ruined and she lurched, one hand on chest, towards the outhouse.

When Tom woke, he felt the sheets cold beside him and lay for a second listening to a quiet scrapping sound.  His skin bore goose bumps, as cold breeze carried in the smell of a sodden land outside.  As he reached the doorway, sheet wrapped like clipped wings around him, he saw her, this time in the field off to the left of the house, her body rigid, her mouth smiling as her hands dug again and again, deep into the new mud. He went to her and picked up the shovel to help.

One evening they came together in the kitchen, and sat at a table in the dark.  A candle quivered between them, the flame hopping, caught between their two breaths.  Woven at its base lay the dead flowers he’d bought her in August.

“There is silence tonight,” he said.

“No, not silence,” she replied quietly.

The door to the hut banged faintly as a breeze tucked in on them.

“What made you think that?” She asked, twisted fingers knotting against the table leg.

“Well…I can’t hear them anymore.”

“I can.”  She spat.

Tom met her hot eyes and looked away.  His glance fell into the searing white of candle light, and when he looked up at her again, she bristled with a thousand black worms, they wove in and out of her face and he began to prod at the pool of wax gathering on the table.

“You know Jen, when I was a kid, my dad made me work in a factory that bred guinea pigs.   I had to collect the babies up every day from hundreds of metal pens and put them into new pens away from the adult males.  I never understood why, until one day I came across a pen with a few half eaten babies.  I mean, the male adults were eating them, the dad’s were eating their own.”

“Is this necessary, Tom?”

“Well, yeah, cause I’m trying to tell you something important.”  He held his finger a moment too long in the hot wax and winced. “Any babies that weren’t already dead, I had to gather them up, you know, and put them out of their misery, poor little things.  My dad told me it was to toughen me up.”

“This isn’t important Tom.  It’s about you, and I’m not sure why we have to talk about you while that noise it happening outside.”

She got up to fix herself a glass of wine, blood rushing in her ears like sea storm and fire, as she flung the claret down her throat.  She poured another and drank it quickly, hands fluttering.  Tom sat quietly at the table, his eyes fixed on a beetle creeping across the wood in a lonely march. The door banged to his heart beat and soothed him.

“I’m sorry love, I was trying to comfort you.” He said, turning on a hinge to look at her.

She forced a smile and slowly pushed the cork back into the top of the bottle with her thumb. The blood was silenced.

“Come here,” He said softly, offering out his hand to her.  The hut walls leaned in, trying to settle anxiously on his open palm, but she broke the air with a stride and grabbed his hand.  He pulled her onto his knee and she clung, an anchor, around his neck.  He rocked on an unseen horse and blew softly on her flushed neck.

“They didn’t come for you,” he murmured into her hair, “they didn’t come for either of us.  It’s not about us, they aren’t here because of the pits, you dug them good Jen, you dug them good and now you have one to stretch in.”

“I dug them,”  She murmured.

“You dug them well.” He reaffirmed and rocked her to sleep.

Morning broke and hacked its orange phlegm onto their land and hut.  Tom left her sleeping, a curled cocoon in his yellow jumper and hat, sunglasses dwarfing her pale thin face, eyes closed windows, shaded shut.  He creaked over to the drop sink and stuck his head, up to his neck, in cold water.  When he slowly rose, a ship wreck rescued, he pushed calloused fingers through his hair and pulled a t-shirt off the washing line to drop over his head, silencing cold aching skin with its soft cotton.  They hadn’t showered for a week, after the immersion tank coughed up the saddest sound and died.  The smell of their sweat licked the walls and he yearned for fresh air.

Quietly he moved over to Jen’s still body and crouched like a frog to jump, beside the bed.

Fingers gripped a heavy box, and skimmed it out into the light.  He opened it up and pulled out a shotgun and cartridges, resting it like a dead appendage in the crook of his elbow and stood up to go outside.

The first shot woke her from deep sleep and she blinked, lips dry, heart pulling pistons in her chest.  On the second shot she sat up, weaving like a weary flower trapped in a bind weed of bed covers. She stumbled to the door and paused, leaning against the frame as the world span softly. Pulling a breath through flared nostrils she swung the door open, bracing for impact from the harsh sunlight.  

An eerie silence greeted her feet as they touched ground outside, only the door to the outhouse banged tentatively from wisps of hot air.

“Tom?”

Eyes scanned the orchard and fields, trying to pick out his figure against the bent trees.  Holes puckered the land skirting the hut, mottled acne in red mud, falling either side of a flagstone path to the outhouse and the beginnings of a studio.  Paintings lay stacked against tree trunks and a few drawings littered the floor, small offerings to keep the Gods at bay.  She started to walk to the porch behind the hut, when a strange fullness in the air stopped her.  A bursting pulse clipped in her ears, the sky rippled like a jellyfish pinned under glass, and she froze, as a great smudge of blue swept past her, disappearing back around the hut.  

Tom came with stride in pursuit.  His hair was thick with sweat, face flushed a lava erupting from a once dormant volcano within.  He looked upon her coldly as a stranger, before eyes flickered with memory and love.

“Hello, sleepy,”  He said, lowering the gun, standing a few feet away.

“Tom… what are you doing?” She stammered.

“They won’t leave Jen.”

“What?”

Another pulsing burst, then another smudge of blue, beaks, wing and feather.  Tom ducked and looked at her.

“The damn birds Jen.  The stupid blue birds you’ve been so afraid of.”

“Birds?”

“The noise Jen.  They make it.  Not ghosts or spirits or demons.”  He pulled more cartridges from his pocket and reloaded the gun.  “The noise you hear in the night?  It’s just birds…Stand back, they’re coming round again.”

Jen finally saw the smudge as hundreds of tightly packed birds, dashing a frantic fragile boom around them.  She walked backwards looking at the hut and the flock wheeling in an endless circle around their home, moving so fast it seemed as if the roof was wearing a beryl smoked halo.  Tom fired again and again into the sky, but the birds kept circling.

“They’re not making any noise,”  She said, choking on a tear.

“I know.  They stopped when I came outside.”

He lifted the gun and fired another couple of shots, which cracked and burned in the air.

“Leave them Tom,”  she said urgently, “They’re beautiful.”

He looked at her, sitting against a tree, and lowered the shotgun.  Her face beamed and glistened with tears, her mouth broke into smile and she began to laugh.  Tom went to her and sat down, scooping her against his chest.  They sat like that for the next hour, watching the birds swing and rotate in the air, till with a sudden flutter they evaporated upwards and away over their heads, merging with the blue of the sky.  Jen continued to laugh and cry, clinging and pushing against Tom.  Something had shifted and been released with the flock, they had taken her darkness with them.  When she fell asleep, Tom gently moved her to the hammock and went to the studio.  

The sun slowly buried itself into the horizon, nuzzling downwards till it popped and sprayed its pale orange sherbet against a pressing night.  When Jen woke and looked out to the pit, she saw Tom hammering a wooden post into the ground beside it.  As he stepped back, she realized it was a sign which read: ‘Play and Sacrifice’, and she suddenly knew what she had to do.

 

Sam Hacking is a landscape painter and writer living in East London.

Generation X by Rebecca Pincolini

The clinic was located on Victory and Laurel Canyon, and its stucco exterior needed a paint job. The dual reflective film on the large front window was chipped, and I could see patients were inside. 

“Come on,” Emma said. She walked to the door and grabbed its steel handle, pulling it open. “Let’s go in.” 

The door had a bell on it, and it sounded like she and I were walking into Bob’s Big Boy for a regrettable meal of pancakes and other assorted carbs. We were there for HIV tests, and by the looks of everyone else inside, they were as well. We walked to the frosted partition, passing a man filling out paperwork while wearing sunglasses, and a woman with a neck tattoo. 

Emma cleared her throat and tapped the counter. “We have appointments.”

The woman looked up and took turns at both of us. “Names?”

“Emma and Sabrina,” Emma said. She reached for two pens in a jar to her left. “8:00 and 8:25 appointments.” 

We were handed clipboards, and I followed Emma to two empty seats. I slumped down into the orange vinyl and watched Emma hover over the clipboard – her index and middle finger resting on her chin. 

I balanced mine on my knee. “What if I have it?”

Emma kept her head down and shuffled through the papers gently. “Then maybe you’ll be shipped off to some Third World village and Princess Diana will come visit you and hold your hand.”  

I laughed under my breath and threw my head back toward the left, locking eyes with a woman. I quickly got somber, grabbed the clipboard, and sank deeper into the vinyl.

 

The clinic’s ceiling tiles had holes, and I scanned them row-by-row, looking for a pattern.

“Can you get on with your paperwork?” Emma asked, nudging me with her elbow. “You’re taking too long.”

“How many men have you fucked?” 

Emma turned to me and pulled her clipboard to her chest. “Four.”

“Nice even number,” I said. 

She got up and walked her clipboard to the counter, resting it in front of the woman. 

“Emma,” I said, waving the clipboard over my shoulder.

She sat back down. “What?”

“Negative means the Pap smear was healthy, right?”

She grabbed the clipboard, licked her index finger, and turned through the pages. “Yes.”

“You didn’t fill out how many people you’ve been with,” she said, flipping to the fourth sheet. “And your period, when was your last one?” 

The woman behind the counter opened the beige door next to the partition. It would’ve blended into the wall had there not been a doorknob. “Emma?”

“Here,” she said, handing the clipboard back to me. “Finish this.” 

 

I guessed on the period dates, but left the sexual partner count blank. I walked the clipboard back to the window in the wall and looked at the woman.

“Here,” I said. 

She released the sheets from the metal grip and shuffled them against the Formica of her desk, making them one length. “Have a seat.”

Scanning the room, I walked to a different chair that faced a mounted television. Carlos Amezcua of the KTLA Morning News was talking to Barbara Beck about the Betty Broderick verdict, but their lips couldn’t catch up to their dialogue. The man sitting across from me held up a three-week old Los Angeles Times with a headline that said: BRITISH ROCK STAR FREDDIE MERCURY DIES OF AIDS. I looked at it long, and shifted my legs once. 

 

The beige door opened abruptly, and the nurse was staring down at paperwork. “Sabrina?”

I followed her through a yellow hallway. Wood-finish picture frames lined the watered-down yolk hue. 

“Step on the scale,” she said. 

“I just ate breakfast.”

Her eyes left the paperwork and looked at me. “Please step on the scale.” 

She pulled out a pen and clicked it. 

“114,” she said. She pointed to a small room next to the scale. “Have a seat in that chair.”

The room was cold, but still had an industrial fan blowing back and forth on the left of the counter. I ran my nails across the rubber material of the armrest, the squishy black sinking beneath my fingertips. 

“Roll up your right sleeve for me,” she said. She grabbed for the blue fabric of the blood pressure band and ripped its Velcro apart. “Relax your arm.” 

She pumped the balloon on its handle and listened for my heartbeat. A sudden release of air followed. 

“142 over 91,” she said, pulling out her ear buds. “High.”

“Is it?” I looked back down at the black material of the armrest. “I don’t know much about pressure.” 

She sat down. “I’m going to ask you some questions, okay?” 

I nodded.

“I see you’re on birth control, are you sexually active? If yes, for how long?” she asked.

“Yes. Since age twenty, so eight years.” 

“Only male partners? Or female as well?”

“Only male,” I said. 

“Vaginal, oral, and anal?”

“Only vaginal and oral,” I said. 

“Condom use?”

I paused and watched her as she held her pen just above the paper, waiting to ink it. “Sometimes.” 

I heard her breathe in and exhale and watched as she slowly shook her head. “Number of partners?”

I stared at her deep side part, the gray of her roots visible. 

She looked up from the paper. “Number of partners?”

I looked at her and ran my tongue across the crease of my lip. “Well, there was John, Jack, Chris, Daniel, Kyle, Alex, Lucas, Will, Austin, Tommy, Jacob, Tyler, Sean, Max, Michael, Jake, Sean again, and Charlie.” 

She placed her head down to look at the paper.

“So that’s seventeen, including the ‘Sean again,’” I said. 

“Have you had multiple partners while already sexually active with one?”

“Yes.”

“Any of them intravenous drug users?” 

“Not that I’m aware of,” I said. 

“Any history of blood transfusions?”

“No.”

She rolled her chair back and sat up. “Follow me.”

 

We walked into a miniature lab where three men hovered over microscopes. Their white coats hit at their knees, and their hands were covered in latex. 

“We’re going to have to send out your blood work, so make sure to call us in three weeks if you don’t hear from us, okay?” she asked. 

“If I don’t hear from you, that means I’m okay though, correct?”

She stopped writing on her paper and looked at me. “Usually, but it’s best to follow-up.” 

“But the likelihood of not hearing from you means I’m okay?”

“Sabrina, I’m going to need you to relax. Can you do that for me?”

I shook my head and sat down in a steel chair, its back pressing my ribs at a sharp angle. The cupboard across from me had a sign pinned to it with a list of numbers from one through ten, and faces, ranging from happy to sad, directly above them. 

“Hi, Sabrina,” a man said. His thick black hair moved gently beneath the air vent. “I’m going to draw some blood.” 

He swabbed the inside of my left arm with rubbing alcohol, and wrapped a pink tourniquet close to the base of my elbow. “Make a fist for me.” 

“Have any of the people you’ve drawn from been positive?” 

He moved around his station, and then grabbed gauze. “Well, I’m just the on-site phlebotomist, so I actually just collect your sample and send it to our main lab for testing.”  

I shook my head slowly. 

“You’re going to feel pressure from my fingers and then a prick, but just relax.” 

The deep red of the blood looked like natural, no additive pomegranate juice. Its thickness rose slowly inside the tube, filling it almost completely. I focused on the sad face above the number ten, how its eyebrows were drawn into squiggly lines across its forehead. 

“Okay, now,” he said, pulling the needle out and pressing gauze against my skin. “Let me tape this on.” 

The blue tape stretched across my elbow tightly, causing the gauze to flare out on each corner. “Go ahead and have a seat in the chair in the hallway for me.”

 

Emma sat quietly with her legs crossed in a chair just outside the lab, her hands wedged into the split of her thighs. “Not so bad, right?”

I sat down next to her; part of the orange vinyl was ripped and poked me through my jeans. “I don’t feel too well, Em.” 

“Now we just wait for the results,” she said. She moved her body and shifted forward. “We won’t be led into that room down there.” 

The linoleum tiles centered down the hall to a white door with PRIVATE attached to it on a plaque. 

“That’s where you’re taken if you’re found to be positive,” Emma said, looking blankly at the door. “Nobody’s in there now, I don’t think.” 

 

A nurse came out the beige door we first walked through, her hands holding two clipboards. “Emma?”

“Yes,” Emma said.

“Follow me up front to go over a few things,” she said. 

Emma sat up and adjusted the waist of her jeans, giving me a closed mouth smile. “I’ll meet you up front.”

They walked to the side of the beige door into a smaller room, crossing paths with a woman and another nurse.

I watched the nurse as she held a clipboard down by her right side, causing it to hit her thigh with each step. The woman’s footfalls echoed as she followed the nurse to the white door. I touched my gauze, the cotton rough and dry as it opened. A fluorescent bulb turned on as they entered, making the stainless steel table inside illuminate and reveal the room’s one main discussion. 

 

 

 

Rebecca Pincolini is a Los Angeles based fiction writer, and her short stories have appeared in 805 Literary Journal and on Thought Catalog.

Family, a Queer History by Kathleen Gullion

I wish I could say I was the first queer thing to happen to my family, but I’d be lying. 

The first queer thing to happen to my family happened in the 1970’s, when a gay man and a gay woman fell in love. They tied the knot with a tasteful ceremony in their own backyard. Adopted 2 kids. Probably had a white picket fence. Definitely had a poodle named Sarah. 

They were my aunt and uncle.

By day, they were the perfect couple. Probably attended PTO meetings together. Definitely spent hundreds of dollars on professional family photos that hung in the living room.

At night, they’d tuck the kids in, smooch their greasy foreheads, and saunter off to bed, arm in arm. They’d open the door to the bedroom, in which you’d find a king sized bed smack dab in the middle. Egyptian cotton sheets carefully tucked in around the mattress, hospital corners. Goose feather pillows, fluffed. A hand made quilt, folded up at the foot of the bed.

So perfect, you’d almost think they never used it.

That’s because they didn’t.

If you lifted up the sheets, you could see the price tags, right there. But no one ever bothered to look.

My aunt and uncle cross the threshold into their bedroom, and disentangle their arms from around the other’s waist. They give the other a courteous kiss on the cheek, and part ways. My uncle heads left, my aunt heads right.

What you didn’t see when you first walked in were two doors. One to the left, and one to the right.

At the same time, the hands turn the knobs, and the doors open. Before stepping through, my uncle looks over his right shoulder, my aunt over her left. They smile. “Good night.”

They each cross the threshold into a bedroom, which connects to a house in another world, not unlike our own. 

Let’s start with my uncle. It’s now morning; he’s waking up. He sits up with a hot cup of black coffee in his hand, watered down with a single ice cube, just the way he likes it. His husband stirs beside him. People confuse them for twins, and my grandmother will still call my uncle’s husband his “friend” even though they got married in Canada years ago. 

Their home is covered in expensive art. My uncle makes a lot of money listening to other people’s problems. He hires two women: one to clean the house, and another to dust off the art. They come every day, at 9:30am sharp. 

Of all the privileges my uncle can afford, these are the most special to him: the art and the woman who cleans the art. 

He and his husband travel the world. They go to France, Brazil, islands in the Pacific. In Brazil my uncle will meet his second husband, but don’t tell husband #1 that. 

I imagine he is a passionate lover, but I don’t imagine it too much, because he is my uncle after all. All I know is he has a deep, velvety voice, and is an excellent dancer, and that’s all I really need to know, because again, he is my uncle after all.

It’s always spring here, my uncle is always in bloom. Sometimes when he closes his eyes, he sees my aunt, but she doesn’t exist in this world, so he pauses for a moment, but doesn’t dwell on her. After all, she doesn’t exist here, so what is there to think about?

Sometimes he goes dancing. It doesn’t matter what music is playing, he will dance. Sometimes he goes with his husband, and sometimes he goes with his friends. My uncle seems to know a lot of scientists, and sometimes he goes with them. They dance better than you think they would. His 2nd husband turns out to be a scientist. An environmental kind. 

My uncle laughs loudly here. Sometimes my aunt can hear it in her world, and she smiles, because she knows, and she’s laughing too. 

If we rewind the tape, we can see my uncle stepping through his door- remember? Let’s pause, and shift the camera to the right. We see my aunt. If you want to imagine, you can imagine me. I’ve been told we look alike. 

We can see her stepping through her door. She closes the door behind her, and sighs. But the sigh is really a deep breath in, because it’s morning here, and she’s taking her first breath of the day. She has a cup of coffee in hand, watered down with one ice cube, just the way she likes it. 

My aunt and uncle have this in common, and it’s actually why they fell in love.

In sleep, her socks have fallen down around her ankles. She pulls them up back to her knees. Her feet get cold when she sleeps. She needs the socks to keep them warm. She hates the way tight socks feel against her leg hair, pulling the hairs in all directions. But she hates having cold feet more.

Her lover stirs beside her in bed. They share a twin bed, because they’re college students at Smith.

The women of Smith are not allowed to have men in their dorm rooms after hours, 8pm to be exact. At 8pm every night, a woman in tweed knocks on my aunt’s door to make sure she is complying. My aunt always complies.

That morning, my aunt has taken all of her bras and put them in a cardboard box. She’s carefully wrapped them up in tissue paper, and written a note that says, “I won’t be needing these anymore.” She spent an hour perfecting the penmanship. She seals up the box, and addresses it to her mother. She thought about burning them instead, as some of her friends have suggested, but this was more her style.

In class, my aunt listens carefully to the professor and stares hard at her notes, perfecting her penmanship, not because she cares about Robert Frost, but because her lover sits across the room from her, and if my aunt looks up for even a split second, they’ll lock eyes and she will not be able to look away, and that wouldn’t be very good for her studies.

That afternoon, my aunt and her lover sit in a secluded place and share pickles, long dill spears. They lock eyes and now, there is no reason to look away. They have all afternoon, and their studies can wait until later.

I imagine she is a thoughtful lover, but I don’t imagine it much, because she is my aunt after all. All I know is she folds her dirty laundry before she washes it, and when you tell a joke, she laughs, even if the joke wasn’t funny, and that’s all I really need to know, because, again, she is my aunt after all. 

She calls my grandmother on the phone that evening. My grandmother tells my aunt about the green bean casserole she made for supper, and then hangs up. This is the conversation they have every night. My mom is off somewhere, practicing the flute.

It’s always fall here, and my aunt is always surrounded by an autumnal, golden glow. She doesn’t think about my uncle, because she hasn’t met him yet. If she thinks about the future, she thinks about it for a moment, but doesn’t dwell on it. After all, the future is so far from now, so why think about it?

Her eyelids start to grow heavy, and she knows it’s almost time. She kisses her lover on the temple, and carefully steps out of bed. She pauses at the door, looks over her left shoulder, and whispers, “Good night.” 

She steps through the door, and sees my uncle doing the same on the other side of the room. It’s morning. They both feel as if they’ve slept eight hours, and they haven’t even had a cup of watered down coffee yet. They smile at each other because they know, and they don’t need to talk about it. 

They brew the coffee, they fry the eggs, they toast the bread. The kids come running down the stairs. They all tousle each other’s hair, and lick their lips in anticipation of breakfast. 

I wish I could say I was the first queer thing to happen to my family, but I’d be lying.

My eyelids are growing heavy, and I know it’s almost time.

Good night. 

 

 

Kathleen Gullion is a performer, writer, and theatre maker living in Chicago, IL whose work primarily focuses on queerness & gender. Recent performance credits include a theatrical adaptation of the piece featured here titled Knowing a Goddamn Thing or Two (Curious Theatre Branch's Rhino Fest) and ID (Lady Square Arts). Her writing has been published by Devise Literary Magazine & 39 West Press. She likes making messes on stage and would encourage you to use rosemary in baked goods more often. Read more about her work here.

Blevins by Sarah Jean Estime

He was sweating like a rider enveloped in effort, his boots chafing the body of the horse. The whip cracked and the horse picked up, liquid sprinkling; veins becoming visceral. Hard teeth grinding with anguish, it jerked back knowing that it would hurt later. He pushed the back down, hushing until it was still, breaking its behavior with tangled ropes and humiliation. Dust flew around them. It back-kicked with its hooves. He bled in the nose and then remounted, being flung with whiplash and exasperation. And then she faced him and made him shift until he looked into her mouth.

***

Sarah Jean Estime is an Aircraft Mechanic in the Air Force. When she is not working her day job, she is composing works related to literary fiction. She has been published by the African American Review, O-Dark-Thirty, Burner Magazine, and Pif Magazine. She currently writes for Blogcritics and Litro Magazine.

Prose by Jacklyn Janeksela

against a machine called me or i

It’s the knife that’s in her hand.  But it’s not in her hand.  It could be a razor blade or a pair of scissors; shard of glass, bottle top, or metal nail file.  Sometimes it could be hot things, burn-y things, salt on an open wound things, digging under her nail things, pulling out a hair.  

It’s a boy in her bed.  But it’s not a boy and it’s not her bed.  It could’ve been a drunk night or a drug night; it could have been both or none.  She’s been with so many ghosts that just the mere flip or floating of a sheet surges energy below.  The condom covers crinkle under her feet like candy wrappers.  If only.

It’s a powder or a pill or a punch or a pilfer or a prick.  It’s all those things and none.  Despite the non-diary she keeps, she remembers nothing.  When she studies her hands it’s as though they belong to this little girl that had once lived, once upon a time.  

 

***

 

 

it’s all fun & mirrors until someone gets hurt or dies


we walk these halls of mirrors with books and pockets full of rocks and dirt to feel grounded so when the storm comes we don’t get mistaken for those fake humans pretending to be human who really have hate for a heart and who say eating animals isn’t bad, it’s natural, and what’s it to you, and it tastes good, and I’m not hurting anybody –they’re just animals, and we scurry around avoiding the energy closets that suck us in, a television portal dream catcher, a spider woven nightmare but it’s day so it’s a daymare that we’re all living but we carve a heart in the tree and say forever and don’t put initials because we are so beyond our earthly names anyways so much so that we’ve combined bits of hair and bone under our tongue and call it acid and as we trip a cloud turns itself into a cat that we just saw the other day crossing the road down the hill from a village that we made up in our minds and we want to go back there so we ask the cat for guidance and it mentions Saturn and we nod as if we understand while the cackling of any number of birds jars us into a jaded state or into a jade colored room in the basement of a club in Paris where we listen to a band called the dead rabbits and your beer tastes like potato soup that cures all colds and my beer tastes funny like a cat crawling backwards and we spiral into and away from the crowd because we are of them yet not of them and I want to touch that pinprick of your prick and light and mold a vagina from my own and sit on the top of a building and feel like suicidal twin teens who are have no clue what a real human is anyways so what’s the point of chasing after a concept that’s not been fully mapped out or has no true definition according to unscience and unlanguage and we fold a piece of paper and let it fly and it lands right where it should on this page in front of you

***

Jacklyn Janeksela is a wolf and a raven, a cluster of stars, &  a direct descent of the divine feminine.  She can be found @ Thought CatalogLuna MagazineTalking BookThree Point PressDumDum MagazineVisceral BrooklynAnti-Heroin ChicPublic PoolReality Hands, Mannequin HausVelvet-TailRequited JournalThe Feminist WireWord For/WordLiterary OrphansLavender Review, & Pank.  She is in a post-punk band called the velblouds. her baby @ femalefilet.  more art @ artmugre & a clip.  Her first book, fitting a witch//hexing the stitch, will be born in 2017 (The Operating System).  She is an energy.  Find her @ hermetic hare for herbal astrological readings. 

DAY SIX! Six Self Portraits by Rebecca Ann Jordan

return to divine

and at three it’s twilight
three in the morning that twilight
(fifty-seven, fifty-eight, fifty-nine—
a nine and a gray and that sleep-panic
the gray of the unconscious cloak ripped off and
--three o’clock)
what if

indeed the pull at your sweaty sheets
unwrinkles the tiny hills
of a land for insects, can you imagine—
no, you project yourself outward to encompass
that massive body you can’t fathom
that might be unwrinkling your own hills
year after year the eroding of them

look down, breathe
one, two—
a stain
you’re leaking your rain at someone’s twilight
on the only world you can
/can’t see
--three

Rebecca Ann Jordan is a speculative fiction author, artist, and editor. Her stories and poems have been published inStrange HorizonsFlapperhouseFiction VortexStrangelet, and more. In 2015 Becca participated in the Clarion Writer’s Workshop and holds an MFA from California Institute of the Arts in 2016. While Becca first sprung from the earth near the San Diego area, she now sells weird and wonderful books in the mountain town of Durango, Colorado. See more at rebeccaannjordan.com or follow her @beccaquibbles.